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Dance Luminary Matthew Ball on Grueling Roles and Social Media Attention: 'I'm Not Precious About My Body'

In the quiet atmosphere of a lounge near London's Royal Ballet, Matthew Ball orders a mint tea. His carriage is naturally upright, his arms defined beneath a plain tee. On stage, dancers can appear like mighty deities, yet frequently in person they are small. This is not true for Ball, whose tall stature is part of his popularity for heroic characters and pas de deux work. With fine features and piercing eyes, there's a touch of a brooding actor about him.

A Seamless Ascent to the Pinnacle

Now 31, Ball is enjoying the crest of a career that has advanced seamlessly. Growing up in Liverpool, he faced little ridicule for his childhood interest in ballet. Entering the Royal Ballet School at 11, he graduated directly into the troupe and was promoted each year, reaching the highest position of lead dancer in 2018. He has relished tackling meaty dramatic roles, especially the emotional angst found in a famed choreographer's ballets.

"Your breath is short, your legs get heavy, but it’s really a neural fatigue."

His upcoming featured appearance is as himself, in an "Evening With" series designed to offer behind-the-scenes insights into a dancer's craft. He will walk the crowd through a part, demonstrating his mental workflow during performance. Yet in more comedic ballets, the test is profound. "A classic ballet is one of the most demanding from a skill perspective," he states.

The Psychological Game and Post-Performance Emotions

What about after a performance, when he has succeeded? "It feels pretty good," he admits. "However because I'm trying to squeeze all the juice out of it, and get lost in the role, quite often I do feel self-conscious afterwards. Following an intense role I'm always like: Wow, what must people think?"

In person, Ball is reflective, polite, and quick to laugh at himself. But a choreographer once observed on a "sense of suffering in him." Does this exist? "I'm quite active usually, but I do have a melancholy streak," he reveals. "I kind of enjoy pessimism sometimes. I've always felt that negativity has been an instigator for good change."

Formative Motivations and Creative Influences

Ball's tenacity stemmed from early setbacks. Not doing well in competitions at school made him "driven!" This became fuel to prove he could succeed. Discovering the book *Mao's Last Dancer* was a "watershed" moment. "It flipped a switch, it made me go a bit fanatical," he remembers.

An upcoming challenge is making his own choreography. For Ball, "there's nothing wrong with." "Breaking the rules is compelling, but just acting that they’re not a thing any more – I don’t know how far you can go with that." He aims his work to be filled with meaning, drawing inspiration from books, music, and art.

Close-Up Dance and Private Partnership

He additionally favors staging dance in more intimate venues. "It was just really exciting," he says of a past show. "You’re so close to the audience. I felt as if they were realizing: 'That’s a person, and they’re perspiring.'"

Ball has made pieces with his girlfriend, fellow principal Mayara Magri. The degree of trust between them is clear. "We first practiced on a beach," he says of a audacious lift. "It resembled Dirty Dancing." They aren’t typically matched on stage at their home company, which is perhaps beneficial. "We’re both quite strong-willed people, so it’s not always hunky dory," he admits. "Yet I feel like we’re each other’s biggest supporter."

Regarding Instagram and Physical Image

On Instagram, fans can see videos from his dance films and images that showcase a sculpted physique. Does he mind that the engagement can be somewhat focused on appearance? Not really. "The body is just what we use, so I don’t feel very precious about it," he explains. He compares it to viewing Michelangelo’s David—something that can be seen on multiple ways.

Ball describes his younger self as "eager for success." Did it met his hopes? "I am conscious of how reality is a different thing to the aspirations you made as a young person," he reflects. He likely has about ten years of dancing left. "I guess in the future, I want to be a bit more gentle with myself."

About the author

Adam Bennett

A software engineer and tech writer passionate about AI, cybersecurity, and emerging digital tools, sharing insights from over a decade in the industry.

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